if you've ever taken a standardized test, you've wondered this. don't try to deny it.
via xkcd
The historian Justin says that Agathocles was born in poverty but very early in life parlayed his remarkable beauty into a career as a prostitute, first for men, and later, after puberty, for women, then made a living by robbery before becoming a soldier.
[...]
Having banished or murdered some 10,000 citizens, and thus made himself master of Syracuse, he created a strong army and fleet and subdued the greater part of Sicily.
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His last years were plagued by ill-health and the turbulence of his grandson Archagathus, at whose instigation he is said to have been poisoned (by his eromenos, Menon of Ægista, who poisoned the tooth-cleaning quill)from the wikipedia article. i believe the correct response would be hoots of mocking and not-even-slightly derisive laughter. at least, that was my response.
I think it was Jim Miller who encouraged guilt-ridden, introspective sinners to just “relax…Because you are a lot worse than you think you are.” You know you’re coming closer to understanding the gospel when you’re relieved to see the depths of your own sinfulness. Compassion is not far behind such an understanding.
Q: What’s heaven for you?
A: Me and my wife on Rte. 66 with a pot of coffee, a cheap guitar, pawnshop tape recorder in a Motel 6, and a car that runs good parked right by the door.
Q: What is a gentleman?
A: A man who can play the accordion, but doesn’t.
from an interview with Tom Waits
via StillBeating
Meanwhile, the Internet was doing its best to make LPs obsolete, pushing Stevens further and further from the kind of songwriting he’s hardly attempted since Illinois. “I’m wondering, why do people make albums anymore when we just download? Why are songs like three or four minutes, and why are records 40 minutes long? They’re based on the record, vinyl, the CD, and these forms are antiquated now. So can’t an album be eternity, or can’t it be five minutes?” He pauses. “I no longer really have faith in the album anymore. I no longer have faith in the song.”[...]This fall, Stevens will release a CD soundtrack of The BQE along with a DVD of the footage and a stereoscopic 3-D Viewmaster reel. In the liner notes, he writes, “And then it hits you: If skyscrapers are the ultimate phallic symbols, then the urban expressway is the ultimate birth canal, the uterine wall, the anatomical passageway, the ultimate means of egress, and the process by which we are all born again. The BQE is the Motherhood of Civilization, the Breast of Being, the fallopian tube, the biological canal from which all of life emerges in resplendent beauty, newborn and newly fashioned with the immaculate countenance of a baby.” And maybe there’s something to that. Illinois is what it is—a necessary part of a creative journey that cannot end in the same place it started. Untethered by musical tradition, the expectations of his fans and the prospect of record sales, Stevens changed direction; he was reborn. It happened somewhere on that treacherous expressway, long after he left Illinois.